| Emotions - Working with Anger
 by 
                  Michelle McDonald
 ---o0o---
 
 Anger 
                  seems to be an emotion that people have a lot of difficulty 
                  with, so I'd like to talk about how to deal specifically when 
                  such an emotion occurs. Say you're sitting and anger appears 
                  and you think, "Oh no - anger!" - that's resistance. 
                  But what about, "Oh, great, anger!"? Do you see the 
                  difference? We are usually very accepting of the moment when 
                  the bird sings, but with anger it is more difficult.  I've 
                  exaggerated this over the years just to learn how to work with 
                  it, so that when anger appears, "Great, this is another 
                  opportunity to learn how to work with this and make friends 
                  with it, rather than try and batter it away into repression". 
                  Then there's no freedom, because we're always unable to work 
                  with it. If you're very clear, especially if you have a lot 
                  of energy, when anger arises and there's no resistance, it's 
                  very, very pure. The ability to just drop into the body and 
                  feel it as body sensations - there might be heat, or pressure 
                  or tightness, and you just get out of the way, it's like letting 
                  a volcano erupt if it's very extreme.  A 
                  few years ago, I did a retreat on the Big Island and during 
                  the retreat the volcano erupted and I'd never seen it before, 
                  it was like this liquid fire just pouring up into the air. It 
                  was the first time in my life that I actually had the sense 
                  of this energy and how to work with it, it's just like the energy 
                  the earth has, and if you step out of the way, you can just 
                  let this energy come and go. It's built up pressure usually, 
                  it's heat and it's fire, and it's pressure and it's wonderful 
                  if you can get out of the way. It's usually not that pleasant, 
                  but it can be joyous just to feel it as an energy and let it 
                  come and go. There's nothing more joyous because you're no longer 
                  a victim of it anymore, you no longer have to run from it anymore. 
                  This is a quote from Ryokan.  The 
                  rain has stopped, the clouds have drifted away, and 
                  the weather is clear again. If 
                  your heart is pure,  then 
                  all things in your world are pure. Abandon 
                  this world, abandon yourself, then 
                  the moon and the flowers will guide you along the way.  If 
                  your heart is pure, anger isn't a problem. The word anger is 
                  just like the word Michelle, or rug or glass, they're just words, 
                  concepts, and the experience of it is very different from the 
                  word. What is your experience of anger? These things don't have 
                  to be a problem if you're willing to explore them, they are 
                  just energies. This first level of working with an emotion in 
                  this way is when we're very clear. We're not identified with 
                  it - when the anger when it comes, we just feel it very clearly 
                  as sensation, it goes.  The 
                  next level is when there's more thought involved with it. Often 
                  emotions can be seen like the recipe of a cake, so if you take 
                  flour and salt and eggs, sugar, cocoa, butter, and you mix it 
                  up and cook it, you get a cake. If you take a past experience 
                  and the memory of that and some thoughts about it and some body 
                  sensations, usually you'll get sadness or anger, and in this 
                  particular case, I'm talking about anger. Sometimes when an 
                  emotion is occurring there's a lot of thoughts that go with 
                  it. You might not be identified with it still, this is a level 
                  that is moving from feeling it as pure sensation to having a 
                  lot of thought with it, and if you see it as a recipe, if you 
                  see that it's just thoughts and feelings and sensations, coming 
                  and going, again you don't have to be identified with it, you 
                  can just notice the thoughts and the physical sensations. You 
                  might go back to the breath and let it come and go. Again, this 
                  takes a lot of clarity, this is a strong mind at work that notices 
                  it coming and going. It might not disappear very quickly, like 
                  in the first case I'm talking about, usually they come and go 
                  and don't stick around very long, in the second case, it's going 
                  to be a little more sticky, like bubble gum, but still you're 
                  not so identified with it, and it comes and goes.  The 
                  third level is when we get more identified with it, which is 
                  often the case. You know those signs that say, Beware of the 
                  dog. I always think, beware of content. With emotions, it's 
                  really like you need the sign, beware of content, because it's 
                  the story and believing the thoughts about it that makes us 
                  suffer so much. I'll give you an example of working with anger. 
                  One time I was sitting a retreat and this treacher from Burma 
                  came to this three month retreat I was doing. I'd done retreats 
                  for nine years before this, and we'd never used notebooks, but 
                  this teacher introduced this idea of writing down some of the 
                  things that had happened at the end of the sitting, so everybody 
                  in the hall had notebooks and pens. The idea was that you didn't 
                  write until the end. But this woman sitting next to me couldn't 
                  restrain herself and she'd write every few minutes and she used 
                  a pencil and so I'd be sitting there and just the anticipation 
                  of her picking up the pencil would drive me nuts, and she'd 
                  pick it up and it would be that scratchy pencil sound and I'd 
                  get completely swept away with anger. And I'd feel really right. 
                   The 
                  hardest thing about anger is when you feel right. You're totally 
                  identified with it when you feel right. And there's always a 
                  good reason why we feel right. "She shouldn't be using 
                  the pencil, she shouldn't be writing during the hour", 
                  and I'd get angrier and angrier because I'd get righter and 
                  righter and she kept getting more wrong and more wrong. And 
                  I would just be a mess, just furious by the end of this sitting 
                  and then I'd have to go out to walk and come back and face it 
                  again and again and again, angrier and angrier, and finally, 
                  the white flag. I'm sure you know what I mean by the white flag. 
                  "Okay, there's nothing I can do but learn how to work with 
                  this, besides leaving the course?"  There's 
                  many things I want to say about this particular part of working 
                  with emotion. When you notice that you get very involved with 
                  the content, and for me in this case it was in being right, 
                  but it might be sadness, like "my mother died when I was 
                  eleven" - whenever there's a content going on and we're 
                  very identified in it, that's drowning in it, that's indulging. 
                  Usually I've discovered that that means we're avoiding the feeling. 
                   When 
                  a thought pattern repeats itself a lot, and we all have our 
                  favourite top channels, channel four, seven, eight, over the 
                  time that you sit you'll notice there's certain tapes that repeat 
                  themselves endlessly. If you look closely, you might find there's 
                  a feeling there that you're avoiding. And the moment you feel 
                  it, it's like pulling this thorn out of the heart, it's usually 
                  very simple.  For 
                  most people I've noticed, it doesn't mean that that tape can 
                  occur and that they can just drop down and feel it and it's 
                  over, usually it takes some time and patience of not wanting 
                  it to appear, of not wanting it to get over, it's very tricky 
                  because these are feelings we haven't wanted to feel, and it 
                  takes a lot of compassion for yourself, so you might get a little 
                  taste of how to work with anger in one moment and that's great. 
                  And maybe a little while later you might get a taste of how 
                  to work with jealousy and that's great, and then over time, 
                  that white flag has tremendous power because we're at peace, 
                  we're not at war with what's happening. We're not afraid, we 
                  don't have to control, we don't have to push them away.  The 
                  thing that's wonderful about our minds and life, is that at 
                  any point we can wake up and see it clearly. We might be three 
                  years into avoiding something, or five lifetimes, whatever you 
                  believe in, and then in one moment you see it and you've learned 
                  it.  There's 
                  one other thing I want to mention about working with emotion 
                  and that is if you've been practising a long time, and there 
                  are very constant repeating thought patterns, sometimes it means 
                  looking at the content, and not necessarily during a retreat. 
                  Because going on a retreat is trying to do a very different 
                  thing, but if you notice that something repeats over years, 
                  it usually means that there's some change is needed in your 
                  life and that you actually need to look at the content. And 
                  this is very important because anything can be used negatively 
                  or positively. Meditation can be used to avoid, you don't have 
                  to use it that way, but often there can be a tendency to do 
                  that.  Besides 
                  patience, which is a very interesting thing, defined as "the 
                  ability to endure the desirable and undesirable" and it's 
                  said to manifest as tolerance, and it's a wonderful quality 
                  because I think it helps us to develop trust, there's our faith. 
                  I think our faith and patience are very connected, and it might 
                  be you learn this once in a sitting and you get overwhelmed 
                  a lot, or you repress it or indulge it, and then in another 
                  sitting you get a taste of how to work with it again. And in 
                  the case of working with my guilt, it really did take me ten 
                  years to learn how to work with it. Once you learn how to work 
                  with it one area, you can apply it to anything. It's the same 
                  story, it's that little white flag.  What's 
                  amazing about human beings is that we have these imaginary wars 
                  going on all the time. You think of this territory that we call 
                  our human body, and then there's a head that we all have, with 
                  its imaginary war. If there's an imaginary war going, it's really 
                  good to do whatever you can do to get out of it - it might mean, 
                  if you're sitting, do whatever you can do to stop it, it's just 
                  not worth it. You can't figure these things out. Content drives 
                  us nuts, you can spend lifetimes trying to figure these things 
                  out. It merely means dropping down to the feeling and feeling 
                  it and letting it go, and that's the place that's most important 
                  - learning to let it go. You can't let something go unless you 
                  feel it, or see it, but the whole emphasis in Buddhism is in 
                  letting go. That's the freedom.  There's 
                  one other thing I wanted to talk about. Last year there was 
                  a friend of mine who'd been practising about as long as me, 
                  and he came to me with a confession. He said for the first fifteen 
                  years of his meditation practice he was using the practice to 
                  feel adequate as a person, to get a sense of appreciation and 
                  approval from the teacher and to find a feeling of family that 
                  he'd never had in his own family. And I think that there's a 
                  big step missing in our culture, and it's spreading throughout 
                  the world, this missing step. In a culture that's spiritually 
                  healthy, when adolescence hits, there's usually some guide to 
                  help the person move from a child's psyche, which is unprotected 
                  and soft and needs to be guided. There's a step that women and 
                  men take in this process in their culture to feel good about 
                  themselves as men and women, a process where the child learns 
                  how to face the world and develop a mature psyche.  In 
                  the old days, any properly operating mythology would help a 
                  child move into the adult world and take a place there and feel 
                  like they belong there and have a lot of faith in that. I think 
                  most of the people I run into in terms of teaching have missed 
                  that step and therefore in a healthy culture what would happen 
                  is that once the adolescent finds that feeling of adequacy then 
                  the next step is searching for something deeper, looking deeper 
                  than life and death, that spiritual quest. Things are a little 
                  mixed up now because many of us never had that initial step. 
                   I 
                  think we often expect meditation to yield more than is meant 
                  to. I don't think that meditation will solve all our problems, 
                  I don't think it is necessarily going to make one feel adequate 
                  as a man or a woman or provide a home for people and when we 
                  understand this I think that one can really go deeply into meditation 
                  and I think that's what prevents people from going deeply in 
                  this time, in this culture, because people are wanting it to 
                  yield more than it's meant to, so they go into retreat expecting 
                  so much and it's working on a very deep level. Meditation is 
                  meant to change our perspective on life completely, it's very 
                  deep, it's not working on those other levels, which are very 
                  important because it's how we function in the world of form 
                  and we bring back to that world of form all that we learn on 
                  retreat. The happiness in this meditation realm is very subtle. 
                   I 
                  went to see the Miles Davis concert on Sunday night. He's really 
                  a master in that world of jazz, and what I noticed that was 
                  deeply moving to me was his use of silence. He had a muffler 
                  on his trumpet, it wasn't that he had a really loud trumpet, 
                  but he'd walk to the side of the stage and play the subtlest, 
                  lightest sounds that were so moving, but you had to be so still. 
                  When he was playing his most beautiful subtlest piece, people 
                  were leaving, they were just pouring out of the hall because 
                  they were afraid of a traffic jam I think, and he was playing 
                  the most amazing piece of music that you would hear in a lifetime. 
                  I don't think they were appreciating his subtlety. He would 
                  just play a few notes and there would be silence for fifteen 
                  seconds, it's like having your heart tickled, very light.  Meditation 
                  is bringing forth our inner potential or inner home, the happiness 
                  is like that, it's not based on experience, it's based on being 
                  free of experience so that no matter what's happening we don't 
                  get overwhelmed by it. The freedom is not getting overwhelmed 
                  by what happens but not having to go into a coccoon and die 
                  while you're still alive.  I'd 
                  like to end with a quote from Alexander Solzhenitsyen: "If 
                  only it were all so simple, if only there were evil people somewhere 
                  insidiously committing evil deeds and it were necessary only 
                  to separate them from the rest of us and destroy them. But the 
                  line dividing good and evil cuts through the heart of every 
                  human being, and who is willing to destroy a piece of his own 
                  heart?"  oOo 
                   Notes: 1. 
                  Author: Michelle is a Vipassana teacher. This is an edited talk 
                  she gave at Koko An. 2. 
                  Source: BuddhaNet - Buddha Dhamma Meditation Assoc Inc. PO 
                  Box K1020 Haymarket, NSW 2000. Australia. Source 
                  : http://www.enabling.org/ia/vipassana/Archive/M/McDonald/angerMcDonald.html   |